Sculptors Gallery, Richard Collins

Statue E9 – Holding

Understanding Your New Statue:

·                    This is the ninth in a series of statues examining the relations between two or more people.  For this statue, the second person is left undecided.  The other person might be an unborn child, someone who has died, a self that was lost, a man, a woman – you decided.  From some directions this can look like a man, or a woman.  The statue should keep tipping from one interpretation to another.  It is the frission of multiple interpretations that I am trying to capture.

·                    This particular way of holding yourself is almost always a sign of inner feelings.  If you have held yourself this way, you might remember your own feelings.  If you have not, I hope you can try to imagine the many complex feelings that can run through the moment.  Try to imagine a mother with happy tears of joy.  Then imagine a woman whose heart is broken.

·                    I deliberately left the figure indistinct, so your mind can shift easily between feelings.  The statue is a touch stone to invoke different scenes and interpretations.

·                    Even though this statue has been carved in stone, it should be constantly changing.

Interacting with the Statue:

·                    The statue is intended to evoke feelings and memories.  And, as own your feelings change, you should see different things in the statue.  You should see different motives, feelings and emotions.  If you are constantly finding new things in the statue, I have accomplished my goal.

·                    The statue should look different from different directions.  See how many distinct views you can discover.  Can your friends find new ones?

·                    Close your eyes and touch the stone. “Looking with your eyes closed” is one way you will get what I felt when I was carving.  It is the literal feel of the statue.  You will like the different textures of the stone.

·                    It is OK to touch it.  Over time the statue will pick up the oils from your hands and take on a patina of use that reflects how you, your family, and friends have interacted with the statue.

·                    I left the statue with scars because I think people have places in our hearts and minds where life has touched us.  Feel these many places and textures.

·                    If you can put a mirror behind it, you will be able to see more than one side at once.  The statue is very much intended to be seen from all directions at once.

·                    Each time you meditate on this statue will be different - though I expect you will have your own favorite interpretations.

The Stone, Caring for the Statue:

·                    The stone is Indiana limestone.  There are places on it where the shell shows through  This is part of owning a unique natural stone carving.

·                    The stone is fairly strong.  Part of the reason for keeping it massive is so there are no weak parts sticking out.  It is supposed to be touched by children, and to survive the various things they do to things that interest them.  So if you find magic marker or crayon on the statue, leave it.  It will be a good memory.

·                    Mostly the statue should take care of itself.  The stone will absorb stains.  You can wash it with soapy water, just be sure to rinse thoroughly.  It will absorb some of the water and look darker for a while.  After it dries it will go back to its usual color.

·                    The statue is intended to last a lifetime, and to be an interesting part of your daily life.

Richard Collins - April 2010